Prosthetics can also be art

In an inconspicuous building in the east of London, there is a seemingly ordinary workshop. At first glance, it may be the same as many handicraft studios, full of tools and materials that are not visible:

But if you go a little deeper, you will see:

The hammer and chisel are covered with walls and the stumps that are fixed to the wall by nails.

Don't panic, this is not a horror film, but a story about a prosthetic artist.

Sophiede Oliveira Barata is the creator of these residual limbs, or should be called her prosthetic designer, her job is to fill the gap for those in need.

From the beginning, she has been exploring how to make the most perfect and true prosthetic, but this is not easy. Fine grinding is an indispensable process for making artificial prostheses. On the wall of Sophie studio, such a string of skin-like tissue is hanging. She calls it a swatch, in order to make the color of the prosthetic skin as close as possible to the customer. Originally matched by the skin color, she chose the closest one of the 94 skin color samples to mix and produce the skin condition that best meets the customer's real conditions.

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