In the impression of everyone, the ancient marble sculptures are all white. But is this really true? Scientists at the Copenhagen Painted Network (CPN) showcased Greek and Roman sculptures with luxurious decorations and gorgeous colors. With surgical microscopes and digital microscopes, the Heritage Protection Commissioner can detect subtle traces of paint pigments and restore the color feast of ancient times. The Heritage Protection Commissioner used surgical microscopes to record the traces of the Greek marble portraits of the Greek period in 100 BC.
In many of the ancient sculptures of the global museums, we have relatively in-depth research on painted sculptures. The Copenhagen Paint Network is an interdisciplinary research team that aims to study the sculptures of the New Carlsberg Art Museum and record the traces of color. The research task is very urgent, because these color traces are gradually disappearing.
Gorgeous colors give life to the restored lion statue.
Since some of the pigment residue on the sculpture is very rare, making it impossible to extract the sample, the microscope became the most important tool for the Heritage Protection Commissioner Maria Louise Sargent.
“The digital microscope has great flexibility,†said the Heritage Protection Commissioner.
These sculptures are up to two meters high, and our scanning work must be accurate to every centimeter. In addition, the digital microscope can achieve a magnification of 160x. As a result, color pigments and original pigment residues are no longer just traces of traces. Now, we can more easily detect and analyze these clues.
With a digital microscope, we can record videos and images and present them on the monitor during the discussion. After detecting the area of ​​the monitor with pigment residue, the microscope will save the digital image and form a record.
The right eye image of the portrait of a Greek figure obtained with a surgical microscope, the eyelashes and other colored details are clearly visible.
Relics Protection Commissioner Rikke Hoberg used digital microscopes to record the traces of Syrian sculptures.
After all, these ancient painters used materials such as ochre and stone as the color of the earth. So which part is the pigment, and which part is only taken from the local soil?
This limestone sculpture is from Pamela, Syria, 190–210 BC, with red jewels on the sculpture.
By observing the statues of Greek figures with the naked eye, you can see the traces of various colors on the eyelashes and lips.
Østergaard is looking forward to a truly important discovery: “The detection of this object may help to answer the question of whether the skin of an ancient figure statue has been painted. So far, we have only one evidence from the classical period and the Greek period. Prove that the character's body is painted with skin color pigments."
The portrait of Caligula, the ruler of the Roman Empire during the 37-41 AD, was one of the first Roman statues to be restored using painting.
“Even if we can identify the colors of ancient sculptures, we still don’t know their true face,†Østergaard pointed out the current work problems. “So, we need to understand more details about the craftsmanship and the aesthetics of ancient painted art.â€
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